Independent New York
William Wright
Pier 36, Booth 208
May 14—17, 2026
William Wright (b. 1971, Nottingham, UK) is a London-based artist who raises the sublunary into the realm of art historical collective consciousness– drawing a continuum between painting of the past and a still life of the present.
Inspired by artists such as Philip Guston, Giorgio Morandi, and James Castle, Wright’s paintings of intimate scale and muted palette evolve over several months through a gradual process of charcoal studies, building up paint with cold wax, sanding, and re-painting over multiple layers. This meditative process imbues a unique sense of time, contemplation, and texture throughout the work. Archiving the objects that populate his home and studio– from bowls of fruit to wilting flowers, paint brushes to opened windows– his chosen subjects map a steady record of observation, the passing of time. Each item is distilled down to its inherent objecthood through an economy of line and solidity. His compositions are layered through delicate deliberations; a texture of accretion underlines the studious rigour at the heart of Wright’s dense work.
Wright explores how memory shifts to imagination, observation into association. The phrasing of an object becomes accented by the union of the canon: a skull here, a timepiece there, the language of the domestic bleeding into art historical trope and tradition. As subjects are revisited, they accumulate additional character, furnishing them with an air of friendly familiarity.
Wright studied at Leeds Metropolitan University, and since has held solo exhibitions at Josh Lilley, London, UK (2024); Sea View, Los Angeles, CA (2024); Galerie Ariane C-Y, Paris, FR (2023); Seventh House Gallery, Los Angeles, CA (2022); Lyndsey Ingram, London, UK (2022); and The Art Stable, Dorset, UK (2019). Select group exhibitions include Micki Meng Gallery, New York, NY (2024); Sea View, Los Angeles, CA (2024); Charleston, East Sussex, UK (2022); Lyndsay Ingram, London, UK (2021); Galerie Ariane C-Y, Paris, FR (2020); and The Eagle Gallery, London, UK (2019).
Press
Hyperallergic “Independent Art Fair Trades Downtown for the World” by Lisa Yin Zhang
William Wright "Lemon Tree," 2025-26 Oil on canvas 24 x 18 in (61 x 45 1/2 cm)
William Wright "Studio Window at Night," 2022-25 Oil on canvas 10 x 14 in (26 x 36 cm)
William Wright "Painter's Shoes," 2023-25 Oil on canvas 10 x 12 in (25 x 30 cm)
William Wright "Still-Life with Playing Cards, Scales, and Dice" 2024 Charcoal and ink on Kraft paper 8 1/4 x 11 3/4 in (20 x 30 cm)
William Wright "Flowers by the Window," 2024-26 Oil on canvas 20 x 16 in (51 x 41 cm)
William Wright "Shelf Study (Apples)," 2025-26 Oil on canvas 16 x 12 in (41 x 31 cm)
William Wright "Bird Feeders," 2025 Charcoal and ink on Kraft paper 11 3/4 x 8 1/4 in (31 x 20 cm)
William Wright "Brown Turkey," 2024-25 Oil on canvas 24 x 18 in (61 x 46 cm)
William Wright "Still-Life with Playing Cards," 2025-26 Oil on canvas 20 x 16 in (51 x 41 cm)
William Wright "Still-Life with Playing Cards," 2025 Charcoal and ink on Kraft paper 11 3/4 x 8 1/4 in (30 x 20 cm)
William Wright "Interior with Suitcase," 2023-25 Oil on canvas 18 x 14 in (46 x 36 cm)
William Wright "From the Kitchen Window," 2025-26 Oil on canvas 24 x 30 in (61 x 76 cm)
William Wright "Pan Rack," 2026 Charcoal and ink on Kraft paper 8 1/4 x 11 3/4 in (21 x 30 cm)
William Wright "Studio Window with Apples," 2024-25 Oil on canvas 16 x 12 in (41 x 31 cm)
William Wright "Studio Window with Brushes," 2025-26 Oil on canvas 14 x 18 in (36 x 46 cm)
Installation view